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Ballet Star Matthew Ball on Grueling Parts and Online Attention: 'I Don't Feel Protective About My Body'

In the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is effortlessly upright, his limbs muscular beneath a plain white T-shirt. On stage, ballet dancers can appear like mighty gods, yet frequently offstage they are small. Not so Ball, whose height is one reason for his demand for princely roles and pas de deux work. Possessing delicate traits and piercing eyes, there's a touch of a brooding actor about him.

A Seamless Ascent to the Top

Now 31, Ball is experiencing the peak of a career that has advanced smoothly. Growing up in Liverpool, he encountered little ridicule for his early interest in ballet. Joining the esteemed training institution at 11, he graduated directly into the company and was promoted each year, reaching the top rank of principal in 2018. He has relished tackling meaty characters, particularly the psychological turmoil found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming featured role is as himself, in an "In Conversation" event designed to offer behind-the-scenes insights into a performer's art. He will guide the audience through a part, demonstrating his cognitive workflow while execution. Yet in lighter works, the test is profound. "Don Quixote is one of the most demanding technically," he notes.

The Mental Struggle and Post-Performance Emotions

How does he feel following a performance, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to extract all the juice out of it, and get immersed in the role, quite often I do feel embarrassed later. Following Mayerling I'm always thinking: God, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Is there? "I'm quite active in general, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for positive change."

Formative Drivers and Artistic Influences

His determination stemmed from early setbacks. Not excelling in contests at school made him "driven!" This became motivation to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he recalls.

The next endeavor is making his own choreography. For Ball, "there's nothing wrong with." "Challenging the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing inspiration from books, compositions, and art.

Close-Up Dance and Personal Dynamic

He additionally favors presenting dance in smaller spaces. "It was just really exciting," he says of a previous experience. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is clear. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple are not usually matched on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s favorite supporter."

On Social Media and Physical Perception

On social media, fans can see videos from his dance films and photos that showcase a athletic form. Does he mind that the response can be a bit focused on appearance? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—an object that can be interpreted on various levels.

Ball describes his younger self as "eager for success." Has it lived up to his hopes? "I feel very aware of how reality is a separate thing to the dreams you made as a child," he reflects. He probably has another ten years of dancing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

The writer

Patrick Cummings

Maya Chen is a tech journalist and digital strategist with over a decade of experience covering emerging technologies and their impact on society.

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